“Albero ecologia dell’anima”
è un progetto nato da una ricerca fotografica e digitale di seguito rielaborata su tavola o tela con penna china e acquarello.
Questo lavoro viene concepito in divenire, in quanto la “foresta”, data dalla somma delle opere da me create,già in parte è, e sarà, la risultante dell’insieme di opere in parte commissionati da diverse persone che hanno scelto un proprio albero simbolico.
Ecco perché il progetto è in divenire, perché ad alberi si aggiungono alberi a seconda delle caratteristiche che l’una persona ravvisa in una specie di albero, piuttosto che in un’altra. Di fatti, l’assumere la simbologia celtica per cui ogni albero incarna una caratteristica umana, è solo un modo per sottolineare il legame inscindibile e viscerale che lega l’uomo alla natura. Ogni albero diventa il simbolo della più profonda essenza della persona, che trova la sua forza e la sua stabilità nelle radici avvinte alla terra, e il proprio slancio vitale nelle fronde che tendono al cielo.
Le opere presenti in questa galleria sono realizzate a tecnica mista su carta da elaborato digitale poi stampato con percloretilene e interventi successivi con grafite, penna, pigmento naturale e smalti naturali.
Formato opere 80X80 cm oppure 120X80 cm
Catalogo Opere
Technology and tradition: manual, analog and digital.
I start from a careful study through drawing and then proceed to a thorough search photographic. The subjects, captured by digital or analogic means are, then, developed to the pc. So the image is printed on canvas through a painstaking work that combines between them, multiple prints in A4 until you get the image as a whole. The print allows me to have a working basis upon which to intervene manually through light and dark, in this way I can play with shades of gray, until my beloved games of spacy air are born.
Then, comes the time to use the natural pigment: water, eggs, glue, oil alternate and bring my work to life. The paintings, therefore, stems from a search operation that it is structured in phases and leads me to the creation of works of art unique cause of the technical complexity of the implementation.
The works have as theoretical prop the awareness of the symbiotic relationship between Man and Nature. Therefore, every tree embodies a person intimately, establishing with him/her a symbiotic relationship. So you can be also allowed to establish a parallelism such that as to the individual corresponds a particular tree, so to the society (group of individuals, mass) corresponds a “forest”. So the ‘”One Tree” might be seen as the “One person” and therefore, the well-being and human health is interdependent with those of the trees. Further theoretical suggestions that led me to deal with so deeply symbolic aspects are surely the Bach’s theories, for which certain trees have a peculiar character; the importance of arboreal creatures in ancient cultures such as Celtic, and more generally, in many cultural traditions and in literature (Dante with Pier delle Vigne; the tree of Good and Evil; Tolkien with Treebeards in “The Lord of the Rings”). ” – Elisa Latini (Translated by Eleonora Latini)
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